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Sandip Roy

Chapal Rani, the Last Queen of Bengal

Chapal Rani, the Last Queen of Bengal

The Life and Times of a Female Impersonator
₹999.00
₹999.00
| $29 |£22.99
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A poignant portrait of the last great female impersonator of Bengali theatre, whose life on and off the stage blurred the boundaries of gender, identity, and performance.

Chapal Bhaduri, celebrated as Chapal Rani, was the last iconic female impersonator of the Bengali jatra stage—a tradition where men donned saris and embodied queens, goddesses, and heroines for travelling theatres. But as societal norms evolved and women entered the theatre, Chapal faced an identity crisis on and off the stage. Hailing from the storied acting family of Sisir Kumar Bhaduri, Prabha Devi and Ketaki Dutta, Chapal emerged as a major presence on the Bengali stage in the 1950s, only to see his career disintegrate by the early 1970s.

In this riveting biography by Sandip Roy—told in Chapal’s own voice—we travel through the bustling streets of Kolkata and the golden era of Bengali theatre, charting Chapal’s tumultuous journey from his childhood into the present day. From his close bond with his mother to the highs of standing ovations and the eventual pain of rejection, the book captures both his theatrical triumphs and personal struggles. It also explores Chapal’s search for love and companionship as a homosexual man in a conservative society and his enduring battle with the loneliness of fame.

Blurring lines between history and imagination, this creative nonfiction work intertwines real events with evocative fictional vignettes, painting an intimate portrait of an artist torn between stardom and invisibility. It also explores the fluidities of gender in South Asia, where identity is often a delicate interplay of tradition, performance and personal truth.

Infused with years of research and rich with anecdotes of passion, resilience and heartbreak, Chapal Rani invites readers to rediscover an era where the stage was a mirror of society, and performers like Chapal Bhaduri embodied its complexities with grace and courage.

Read an excerpt in the Mint. 

Read an excerpt in Queerbeat. 

Read an excerpt in Scroll. 

“There is no doubt that the book is an invaluable addition as a sensitive documentation created through multiple perspectives — social, psychological, aesthetic and historical.”—Makarand Sathe, Indian Express. Click here to read the review.

“What distinguishes the biography is Roy’s refusal to freeze Chapal Rani at the point of legend. . . . Roy devotes nearly half the book to an autumnal phase, which allows Chapal to exist not as a historical snapshot but as a life extended across changing forms of labour, visibility, and value, without diminishing returns.”—Vikram Phukan, The Hindu. Click here to read the review.

“Revisiting Bhaduri’s lives for a new generation also raises questions about memory. Why are some performers remembered, and others forgotten? Why do certain art forms enter the archive, while others disappear with the people who sustained them? By documenting Bhaduri’s life, Roy attempts to answer, or at least confront, those questions.”—Sudha G. Tilak, BBC. Click here to read the review.

“In his riveting biography of Chapal Bhaduri . . . Sandip Roy constructs an urgent archive of a life lived at the triple margins of queerness, performance, and erasure, before memory itself dissolves forever.”—Sahil Pradhan, Local Samosa. Click here to read the review.

“Roy skilfully brings together the contradictions, complexities, highs and lows of Bhaduri’s life in a well-researched, eminently readable book. . . . Roy’s research is rigorous but doesn’t drag the story down. This book about Bhaduri and his times is truly a page-turner. The structure of the book plays an important part too. . . . Chapal Rani, the Last Queen of Bengal, is appropriately a part of Seagull Books’ Pride List and an invaluable addition to the history of theatre and the queer movement in India.”—Anchita Ghatak, Scroll. Click here to read the review.

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