Pop Goes the Avant-Garde
‘Ferrari offers a rich, detailed survey of avant-garde and experimental theater in China after 1976 as well as a theoretical inquiry into the usefulness, indeed appropriateness, of categorizing any contemporary theatrical work as avant-garde in the wake of Burger’s declaration [. . .] This is a resource for those interested in Chinese contemporary theater, interculturalism, the theatrical avant-garde, experimental theater, and performance studies [. . .] Recommended.’ —CHOICE
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