Signs and Images: Writings on Art, Cinema and Photography
Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France’s preeminent Collège de France, where he chose to style himself as professor of literary semiology until his death in 1980.
The greater part of Barthes’s published writings have been available to a French audience since 2002, but here, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews and other journalistic material for the first time in English. Divided into five themed volumes, the fourth volume, Signs and Images, gathers pieces related to Barthes’s central concerns: semiotics, visual culture, art, cinema and photography. It is a rare compilation of his articles on film criticism and reviews on art exhibitions. The volume features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon and many more.
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